As a photographer who primarily shoots with full frame mirrorless cameras, I have spent a lot of time trying out different lenses in search of the perfect all around lens. After countless hours of research and testing, I can confidently say that I have found the best all around lens for full frame mirrorless cameras.
The lens that I have fallen in love with is the Sony FE 24-70mm f/2.8 GM. This lens has quickly become a staple in my gear bag due to its exceptional versatility and image quality. The focal length range of 24-70mm covers a wide variety of shooting situations, making it the perfect lens for everything from landscapes to portraits.
One of the key features that makes this lens stand out is its fast maximum aperture of f/2.8. This allows for beautiful bokeh and low light performance, making it ideal for shooting in challenging lighting conditions. The lens is also incredibly sharp, even when shooting wide open, ensuring that your images are always crisp and detailed.
In addition to its impressive optical performance, the Sony FE 24-70mm f/2.8 GM is built to withstand the rigors of professional use. Its weather-sealed construction means that you can confidently use it in any weather conditions, and the durable build quality ensures that it will last for years to come.
Overall, the Sony FE 24-70mm f/2.8 GM is the best all around lens for full frame mirrorless cameras. Its versatility, image quality, and build quality make it a must-have for any serious photographer. Whether you’re a landscape photographer, a portrait photographer, or anything in between, this lens will exceed your expectations and help you capture stunning images every time.
Factors to Consider Before Selecting an All-Around Lens
When it comes to choosing the best all-around lens for full-frame mirrorless cameras, there are several factors to consider. With so many options available on the market, it’s important to find a lens that meets your specific needs and shooting style. Here are some key factors to keep in mind before making a decision:
1. Focal Length Range
One of the most important considerations when choosing an all-around lens is its focal length range. The focal length determines the field of view and magnification of the lens, which in turn affects the type of shots you can capture. A lens with a versatile focal length range, such as a zoom lens, can be ideal for various shooting situations, from wide-angle landscapes to telephoto portraits. However, prime lenses with fixed focal lengths can often offer better image quality and larger aperture options. Consider your shooting preferences and the range of subjects you usually photograph to determine the focal length range that suits your needs.
2. Aperture Range
Another important factor to consider is the lens’s aperture range. The aperture controls the amount of light entering the lens and affects the depth of field in your images. A lens with a wide maximum aperture, such as f/1.8 or f/2.8, allows for better low-light performance and offers more creative control over the depth of field. However, lenses with wider apertures tend to be larger, heavier, and more expensive. If you prioritize portability and budget, a lens with a narrower aperture range, such as f/2.8-f/5.6, might be a good compromise. Consider your shooting conditions and desired level of control over depth of field when evaluating the aperture range of a lens.
3. Image stabilization
Image stabilization, also known as vibration reduction, is a feature that reduces blur caused by camera shake. This can be particularly useful in situations with low light or when using longer focal lengths. Some lenses come with built-in optical stabilization, while others rely on the camera’s sensor-shift stabilization. Consider whether image stabilization is a priority for you and whether you already have stabilization capabilities in your camera body when choosing a lens.
4. Lens Weight and Size
The weight and size of a lens can significantly impact your overall shooting experience, especially if you plan to carry your camera setup for long periods or travel with it. Larger and heavier lenses may offer better image quality or a wider aperture range, but they can be cumbersome and inconvenient to handle. Consider the trade-off between image quality and portability when selecting a lens that suits your shooting needs.
By carefully considering these factors, you can find an all-around lens that complements your shooting style and helps you achieve the best results with your full-frame mirrorless camera.
My Choice for the Best All-Around Lens for Full Frame Mirrorless Cameras: Sigma 24-70mm f/2.8 DG DN Art
When it comes to finding the perfect all-around lens for my full frame mirrorless camera, the Sigma 24-70mm f/2.8 DG DN Art is my top choice. This lens offers exceptional versatility, outstanding image quality, and professional-grade performance, making it the ideal choice for a variety of shooting situations.
With its versatile focal length range of 24-70mm, this lens covers a wide variety of shooting scenarios, from landscapes and portraits to indoor and low-light photography. It allows me to capture a broad perspective or zoom in for more detailed shots, all without having to switch lenses. This is especially useful when shooting in dynamic situations where speed and convenience are crucial.
The Sigma 24-70mm f/2.8 DG DN Art lens is built with precision and durability in mind. Its robust construction ensures reliability and longevity, allowing me to confidently use it in various weather conditions. The lens features high-quality glass elements and advanced lens coatings, resulting in exceptional image sharpness, contrast, and color accuracy throughout the entire zoom range.
One of the standout features of this lens is its fast f/2.8 maximum aperture. This wide aperture allows for excellent low-light performance, creating beautiful bokeh and enabling shorter shutter speeds for handheld shooting in dimly lit environments. It also offers creative possibilities for shallow depth of field, making it great for portrait photography.
In conclusion, the Sigma 24-70mm f/2.8 DG DN Art lens is my go-to choice for an all-around lens for full-frame mirrorless cameras. Its versatility, superb image quality, and professional-grade performance make it an essential tool for any photographer looking to capture stunning and versatile shots in a variety of shooting situations.
Features and Benefits of the Sigma 24-70mm f/2.8 DG DN Art Lens
As a professional photographer, I am always on the lookout for the best all-around lens for my full-frame mirrorless camera. After extensive research and testing, I have found that the Sigma 24-70mm f/2.8 DG DN Art Lens is a game-changer in terms of features and benefits.
One of the standout features of this lens is its fast maximum aperture of f/2.8. This allows for excellent low-light performance and gives me the flexibility to shoot in challenging lighting conditions without sacrificing image quality. The wide aperture also creates a shallow depth of field, which is perfect for portrait photography, allowing me to create stunning bokeh effects and isolate my subjects from the background.
- Sharpness: The image quality of the Sigma 24-70mm f/2.8 DG DN Art Lens is exceptional. It is incredibly sharp across the entire zoom range, even when shooting wide open at f/2.8. This lens is tack sharp in both the center and the corners of the frame, allowing me to capture every detail with precision.
- Optical Design: Sigma has incorporated advanced optical elements and coatings into this lens to minimize aberrations, distortions, and flare. The lens features 19 elements in 15 groups, including six special low dispersion (SLD) elements and two aspherical elements. This sophisticated optical design delivers outstanding image quality with minimal optical flaws.
- Build Quality: The Sigma 24-70mm f/2.8 DG DN Art Lens is built to last. It has a robust, weather-sealed construction that protects it against dust and moisture, making it ideal for shooting in various environments. The lens feels solid in my hands and operates smoothly, with no wobbling or loose parts.
- Autofocus: The lens boasts a fast and accurate autofocus system, thanks to its Hyper Sonic Motor (HSM) and enhanced algorithm. It quickly locks onto subjects and tracks them with precision, ensuring that I never miss a critical moment. The autofocus is also silent, which is beneficial when shooting in quiet environments or during video recording.
- Versatility: With its versatile zoom range of 24-70mm, this lens is suitable for a wide range of photography genres. From landscape and street photography to portraits and events, I can rely on this lens to deliver exceptional results in any situation. The zoom range allows me to quickly adapt to different shooting scenarios without having to switch lenses.
In conclusion, the Sigma 24-70mm f/2.8 DG DN Art Lens is undoubtedly one of the best all-around lenses for full-frame mirrorless cameras. Its fast aperture, excellent image quality, durable build, reliable autofocus, and versatile zoom range make it a valuable tool in my photography kit. Whether I’m shooting landscapes, portraits, or events, this lens consistently delivers outstanding performance and helps me capture stunning images.
Best Value All-around Lens for Full Frame Mirrorless Cameras: Tamron 28-75mm f/2.8 DI III RXD
When it comes to finding the best all-around lens for full frame mirrorless cameras, the Tamron 28-75mm f/2.8 DI III RXD is a top contender. Packed with features and affordability, this lens offers exceptional value for photographers looking to cover a wide range of shooting scenarios.
With a versatile focal length range of 28-75mm, this lens is perfect for capturing everything from wide-angle landscapes to tight portraits. The f/2.8 aperture allows for beautiful bokeh and low-light performance, making it a reliable choice for various lighting conditions. Whether you’re shooting in a dimly lit room or outdoors at golden hour, this lens delivers sharp and detailed images.
The build quality of the Tamron 28-75mm f/2.8 DI III RXD is also worth mentioning. It features a durable construction that can withstand everyday use and adverse weather conditions. The lens is also compact and lightweight, making it easy to carry around for long shoots or travel. Additionally, the autofocus performance is quick and accurate, ensuring you can capture those decisive moments without hesitation.
Overall, the Tamron 28-75mm f/2.8 DI III RXD offers a fantastic combination of performance and affordability, making it the best value all-around lens for full frame mirrorless cameras. Whether you’re a professional photographer or a hobbyist, this lens will exceed your expectations and deliver stunning results in a wide range of shooting situations.
Reasons to consider the Tamron 28-75mm f/2.8 DI III RXD lens as a budget-friendly option
As a photographer, finding the perfect lens that strikes a balance between versatility, image quality, and affordability can be a challenging task. After extensive research and personal experience, I have found that the Tamron 28-75mm f/2.8 DI III RXD lens is a fantastic budget-friendly option for full frame mirrorless cameras. Let me explain why.
First and foremost, the Tamron 28-75mm f/2.8 DI III RXD lens offers a versatile focal length range of 28mm to 75mm. This means that it covers a wide angle for landscape photography, as well as a standard zoom range for everyday shooting. Whether you’re capturing sweeping vistas or intimate portraits, this lens has you covered.
Furthermore, the f/2.8 aperture of the Tamron 28-75mm lens allows for excellent low-light performance and beautiful bokeh. It is a constant aperture lens, which means that you can maintain a wide aperture throughout the entire zoom range. This is especially beneficial for capturing stunning portraits with creamy backgrounds or shooting in dimly lit environments without sacrificing image quality.
In addition to its versatility and wide aperture, the Tamron 28-75mm lens is also incredibly lightweight and compact. This makes it perfect for travel or street photography, where you want to minimize the weight and bulk of your camera gear. You can easily carry this lens around all day without feeling weighed down.
Lastly, and perhaps most importantly, the Tamron 28-75mm f/2.8 DI III RXD lens is significantly more affordable compared to other similar lenses on the market. It offers excellent value for the price, allowing photographers on a budget to still achieve professional-quality results.
In conclusion, if you’re in the market for a budget-friendly lens that offers versatility, high image quality, and a wide maximum aperture, the Tamron 28-75mm f/2.8 DI III RXD lens is definitely worth considering. It ticks all the boxes and delivers outstanding performance at a fraction of the cost of its competitors.
Best Wide-angle All-around Lens for Full Frame Mirrorless Cameras: Sony FE 16-35mm f/2.8 GM
When it comes to choosing the best wide-angle lens for full frame mirrorless cameras, the Sony FE 16-35mm f/2.8 GM is a top contender. With its versatile focal length range of 16-35mm, it offers a wide field of view that makes it ideal for landscape, architecture, and street photography.
This lens is part of Sony’s G Master series, which means it is designed to deliver exceptional image quality. It features a fast maximum aperture of f/2.8, allowing for excellent low-light performance and shallow depth of field. Whether you’re capturing stunning sunsets or shooting in dimly lit environments, this lens will help you achieve sharp and detailed images.
One of the standout features of the Sony FE 16-35mm f/2.8 GM is its advanced optical design. It incorporates two extra-low dispersion elements and three aspherical elements to minimize chromatic and spherical aberrations, resulting in clear and high-resolution images. The lens also boasts a Nano AR coating that reduces flare and ghosting, ensuring optimal contrast and color accuracy.
Additionally, this lens is built to withstand various shooting conditions. It is dust and moisture resistant, allowing you to shoot in challenging weather conditions without worry. It also features a customizable focus hold button, which can be assigned to various functions for quick and convenient control.
Overall, the Sony FE 16-35mm f/2.8 GM is an excellent choice for photographers looking for a wide-angle all-around lens for their full frame mirrorless cameras. Its wide focal length range, fast aperture, and exceptional image quality make it a versatile tool for capturing a wide range of subjects. Whether you’re a professional or an enthusiast, this lens will help you achieve stunning results in your photography.
Exploring the benefits of the Sony FE 16-35mm f/2.8 GM lens for capturing expansive landscapes and architecture
As a photographer who is passionate about capturing expansive landscapes and stunning architecture, I have found the Sony FE 16-35mm f/2.8 GM lens to be an invaluable tool in my arsenal. This versatile lens offers a wide range of focal lengths, allowing me to capture breathtaking scenes with ease. Whether I’m photographing rolling hills or towering skyscrapers, this lens delivers exceptional sharpness and clarity.
One of the key benefits of the Sony FE 16-35mm f/2.8 GM lens is its wide-angle capabilities. With a focal length range of 16-35mm, I can capture a vast field of view, making it perfect for capturing expansive landscapes. This lens allows me to include more of the scene in my frame, resulting in stunning images that truly showcase the beauty of the natural world.
Additionally, the fast maximum aperture of f/2.8 is another standout feature of this lens. It allows me to shoot in low-light conditions while maintaining a shallow depth of field, which is especially useful when photographing architecture. The ability to blur the background and isolate the subject helps to draw attention to the architectural details and create a sense of depth in my images.
Furthermore, the build quality of the Sony FE 16-35mm f/2.8 GM lens is exceptional. It features a weather-sealed construction, which means I can confidently use it in challenging weather conditions without worrying about damaging the lens. This durability is crucial for me as a landscape photographer who often ventures into harsh environments.
In conclusion, the Sony FE 16-35mm f/2.8 GM lens is an excellent choice for capturing expansive landscapes and architecture. Its wide-angle capabilities, fast aperture, and robust build quality make it an invaluable tool for any photographer looking to showcase the beauty of the natural world or capture the intricate details of architectural structures.
Best Telephoto All-around Lens for Full Frame Mirrorless Cameras: Canon RF 70-200mm f/2.8L IS USM
If you are looking for the best telephoto lens for your full frame mirrorless camera, look no further than the Canon RF 70-200mm f/2.8L IS USM. This lens offers exceptional performance and versatility, making it the perfect choice for a wide range of photography subjects and situations.
With its versatile focal length range of 70-200mm, this lens allows you to capture stunning close-up shots as well as long-distance subjects. Whether you are photographing wildlife, sports, or portraits, the Canon RF 70-200mm f/2.8L IS USM delivers excellent image quality and sharpness throughout the zoom range.
- Exceptional Image Quality: This lens features a high-quality optical design that includes a fluorite element and five ultra-low dispersion elements, which effectively reduce chromatic aberrations and ensure sharp and detailed images.
- Fast and Accurate Autofocus: The Canon RF 70-200mm f/2.8L IS USM incorporates a dual Nano USM autofocus system, which provides fast and silent focusing performance. This is especially useful when capturing moving subjects or shooting in low-light conditions.
- Image Stabilization: With its built-in image stabilization system, this lens allows you to shoot handheld at slower shutter speeds without worrying about camera shake. This is particularly beneficial when shooting in challenging lighting conditions or when using the lens at its maximum focal length.
- Durable and Weather-Sealed: The Canon RF 70-200mm f/2.8L IS USM is built to withstand the rigors of professional use. It features a robust construction with dust and moisture resistance, making it suitable for shooting in various weather conditions.
In conclusion, the Canon RF 70-200mm f/2.8L IS USM is the best all-around telephoto lens for full frame mirrorless cameras. Its exceptional image quality, fast autofocus, image stabilization, and durable construction make it a versatile lens that can handle a wide range of photography needs.
Advantages of using the Canon RF 70-200mm f/2.8L IS USM lens for capturing stunning close-ups and telephoto shots
Capturing close-ups and telephoto shots requires a high-quality lens that can deliver exceptional image quality and performance. The Canon RF 70-200mm f/2.8L IS USM lens is a top choice for photographers who want to capture stunning close-ups and telephoto shots. Here are some advantages of using this lens:
- Outstanding image quality: The Canon RF 70-200mm f/2.8L IS USM lens is designed to deliver superb image quality, with sharpness, clarity, and detail in every shot. The lens features a combination of high-quality glass elements and advanced lens coatings to minimize lens aberrations and distortions, resulting in images that are sharp from edge to edge.
- Wide aperture: With a maximum aperture of f/2.8, this lens allows you to achieve excellent depth of field control, making it ideal for portrait photography and isolating subjects from the background. The wide aperture also enables you to shoot in low-light conditions without compromising image quality, maximizing your creativity and flexibility in various shooting situations.
- Image stabilization: The lens is equipped with Canon’s Image Stabilization (IS) technology, which compensates for camera shake and allows you to shoot handheld at slower shutter speeds. This feature is particularly beneficial when capturing close-ups and telephoto shots, as it helps to maintain image sharpness and minimize the risk of blur caused by hand movements.
- Fast and accurate autofocus: The Canon RF 70-200mm f/2.8L IS USM lens features a high-speed and responsive autofocus system, ensuring that you can quickly and accurately focus on your subjects. This is especially important when shooting close-ups and telephoto shots, as you may need to quickly adjust your focus to capture the desired moment.
- Versatility: The focal length range of 70-200mm makes this lens highly versatile, allowing you to capture a wide range of subjects, from portraits to wildlife and sports. Whether you’re shooting in a studio or out in the field, this lens is a reliable and versatile tool that can meet the demands of various photography genres.
In conclusion, the Canon RF 70-200mm f/2.8L IS USM lens offers outstanding image quality, wide aperture, image stabilization, fast autofocus, and versatility, making it an excellent choice for photographers who want to capture stunning close-ups and telephoto shots. With this lens in your arsenal, you can confidently tackle any photography project and achieve exceptional results.
Best all around lens for full frame mirrorless cameras
YONGNUO YN50mm F1.8 Lens Large Aperture Auto Focus Lens Compatible with Canon EF Mount EOS Camera
$82.00
Features
- F1.8 large aperture, virtual background, which makes photography with more fun.
- Support auto focus and manual focus mode, full-frame and APS-C format cameras, 5 groups 6 slices Lens structure
- It is equipped with focus distance indicator 0.45 meter, which is convenient for you to measure the shooting distance and depth of field, Multi-coated lenses,effectively improve the transmittance
- Supports M/AV/TV/P and other camera shooting modes, and can be displayed the aperture data in the EXIF Information
- Adopts gold plating for the metal contacts, effectively improve the signal conductivity and corrosion resistance
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Panasonic LUMIX S 20-60mm F3.5-5.6 L Mount Interchangeable Lens for LUMIX S Series Mirrorless Full Frame Digital Cameras – S-R2060 (USA)
20 used from $288.20
Features
- L-MOUNT COMPATIBLITY – Designed for compatibility with LUMIX S-Series Full-Frame digital cameras
- VERSATILE FOCAL LENGTH – Standard zoom lens covering ultra wide 20mm to standard 60mm in a compact, lightweight body, with compatibility for 67mm threaded filters, with a 9-blade circular aperture diaphragm.
- CLOSE UP CAPABILITY – Enables close-up shooting with minimum focusing distance of 5.9inch
- VIDEO SUPPORT – Excels in video recording performance with smooth exposure changes and suppressed focus breathing
- RUGGED DESIGN – Dust/splash/freeze-resistant design withstands heavy field use under harsh conditions
| Price history for Panasonic LUMIX S 20-60mm F3.5-5.6 L Mount Interchangeable Lens for LUMIX S Series Mirrorless Full Frame Digital Cameras – S-R2060 (USA) | |
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Brightin Star 35mm F1.7 Wide-Angle Manual Focus Prime Lens for Panasonic Olympus Micro 4/3 Mirrorless Cameras, MFT APS-C Large Aperture, Fit for LUMIX G7, G7KS, GX85, GX9, G95, GH5, GH6, G100, G9
Features
- [Attention Please ] In order to provide you with a satisfying experience, please make sure you've READ and UNDERSTAND the below information before purchasing. Please kindly note this Brightin Star camera lens is only used for Mirrorless Camera, NOT for SLR Camera.
- [Note] This product is a manual lens without an auto-focus function. And the most important thing is to make sure you've set the "release without lens" mode, or your camera may unable to take pictures or videos. If you need any help about that please contact our customer service team directly.
- [Premium Design] Metal Material & Utra-Small Structure Design]Brightin Star 35mm F1.7 is made of metal and glass, with exquisite workmanship and compact design, allowing you to put the lens in your pocket.
- Highly versatile and reliable, the 35mm lens is suitable for various photography purposes, including landscape, portraits, still life, traveling, wedding, and close-ups. F/1.7 large aperture helps you achieve a blurred background effect and increases the brightness of your images in dark environments.
- [Compatible Information] Fit for Panasonic Olympus M4/3-Mount G1/2/3/5/6/7/9, GH1/2/3/4/5/5S, GM1/5/7/1/7/8/85/9, GF1/2/3/5/6/7/8/9, EPM1, EPM2, E-P1, E-P2, E-P3, E-P5, E-M1, E-M1 II, E-M5, E-M5 II, E-M10, E-M10 II, E-M10 III, E-PL1, E-PL2, E-PL3, E-PL5, E-PL6, E-PL7, E-PL8, E-PL9. The brand name listed herein are for reference purposes only, Brightin Star is an independent brand.
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Panasonic LUMIX G Lens, 25mm, F1.7 ASPH, Mirrorless Micro Four Thirds, H-H025K (USA Black)
3 used from $140.89
Features
- Micro Four Thirds a versatile MFT 25 millimeter lens with a natural viewing angle Suitable for a wide variety of occasions (35 millimeter camera equivalent: 50 millimeter)
- F1.7 brightness beautiful background bokeh effect from its large diameter F1.7 aperture
- Super lightweight compact at only 125G/ 2.05 inches Length, Lens construction 8 elements in 7 groups (2 aspherical lenses, 1 UHR lens)
- Photo and video Hybrid photography enabled for both photo and HD video recording with quiet and smooth fast action stepping motor focusing
- Angle of View: 47°
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Hikvision DS-2CD6026FHWD-A3 Super Low Light Box Camera, 2MP/1080P, H.264, 3.8-16 mm Lens, Wide Dynamic Range, POE/12VDC
Features
- 2Amp/1080P
- Brand name- Hikvision USA
- 3.8-16Mm lens
- Wide dynamic range
- Poe/12Vdc
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YONGNUO YN50mm F1.8N Standard Prime Lens, Large Aperture Auto Manual Focus AF MF for Nikon DSLR Cameras
Features
- 【Features】YN50MM lens for Nikon, F1.8 large aperture, 6 blades in 5 groups, 7pcs Aperture blades. Auto Focus and Manual Focus
- A great 50mm prime lens, and this is an excellent addition to the Nikon 12-50mm kit lens;
- Supports auto focus and manual focus modes ( AF MF ); Supports full-frame and APS-C format cameras;
- This YONGNUO lens adopts gold plated metal contacts, which effectively improves the signal conductivity and corrosion resistance;
- This 50mm 1.8N lens supports M/AV/TV/P and other camera shooting modes, and parameters used to take pictures can be displayed in the EXIF Information;
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YONGNUO YN35mm F2 Lens 1:2 AF/MF Wide-Angle Fixed/Prime Auto Focus Lens for Canon EF Mount EOS Camera
Features
- View-angle Coverate：Diagonal 63 Degree/Vertical 38 Degree/Horizontal 54 Degree.
- Lens Structure:5 sets, 7 pieces
- Minimum Aperture:F/22,Minimum Focusing Distance:0.25m / 0.8ft,Maximum Magnification:0.23X.
- Filter Diameter / Auantity Available:52mm / 1,Maximum Diameter and Length:73*59mm.
- Support auto focus (AF) and manual focus (MF) mode.
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PANASONIC LUMIX G LEICA DG VARIO-ELMAR PROFESSIONAL LENS, 100-400MM, F4.0-6.3 ASPH., MIRRORLESS MICRO FOUR THIRDS, POWER OPTICAL I.S., H-RS100400 (USA BLACK)
Features
- Experience a Mirrorless Micro Four Thirds camera lens design with a significant reduction in size and weight; Up to two thirds smaller and one fifth the weight of comparable DSLR 35 millimeter long zoom lenses
- 100 to 400 millimeter F/4.0-6.3 LEICA VARIO ELMAR high performance lens for nature photography (200 to 800 millimeter 35 millimeter camera lens equivalent), Closest Focusing Distance : FULL:1.3 meter /4.27 feet, LIMIT:5.0 meter/16.4 feet, Maximum magnification : Approx. 0.25x / 0.5x (35 millimeter camera equivalent)
- Ideally suited for the outdoors with a splash and dustproof sealed body. (When combined with splash and dustproof LUMIX G Mirrorless camera models)
- Impressive image stability with integrated LUMIX Power Optical Image Stabilization (O.I.S) and LUMIX Dual I.S. camera compatibility
- Integrated rotary tripod mount and built in sliding lens hood; Diagonal Angle of View: 12 degree (Wide) to 3.1 degree (TELE)
| Price history for PANASONIC LUMIX G LEICA DG VARIO-ELMAR PROFESSIONAL LENS, 100-400MM, F4.0-6.3 ASPH., MIRRORLESS MICRO FOUR THIRDS, POWER OPTICAL I.S., H-RS100400 (USA BLACK) | |
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Yongnuo YN42.5MM F1.7M II Medium Auto Focus Fixed Prime Lens, for Micro Four Thirds Cameras, Compatible with Olympus Panasonic Black
Features
- 【Features】F1.7 large aperture, 9 blades in 8 groups, including 2 ED ultra-low dispersion lenses. 7pcs Aperture blades, Auto Focus and Manual Focus
- 【Compatible with Olympus and Panasonic Cameras】Olympus: E-M5 Mark II, E-M10 mark III, E-M10 IV, E-PL9, E-PL10, PEN-F; Panasonic: G100, GH5, G9, G95, G85, GX9, GX85, GF-10, GF-9, GF-8
- 【Micro 4/3 System Standard Prime Lens】Micro Four Thirds Lens Mount ( M4/3 MFT System), suitable for landscape, portrait, street snap, night scene and indoor scene.
- 【F1.7 large aperture, support AF and MF】With an F1.7 large aperture, easy to blur the background. Support full-time manual focus, free to switch focus mode. The closet focusing distance is about 0.30m, and the maximum magnification is about 0.15 times.
- 【High precision STM stepper motor】This 42.5mm F1.7M II lens equipped with high speed and high precision STM stepper motor. Cooperate with brand new control circuit, achieve fast, quiet and precise focus.
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Features
| Part Number | CN-RF-50MM-42023 |
| Model | RF 50mm |
| Warranty | Seller Supplied |
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Question and answers:
What is the best all around lens for full frame mirrorless cameras?
The best all around lens for full frame mirrorless cameras is subjective and depends on your specific needs and preferences. However, a popular choice is a standard zoom lens, such as a 24-70mm f/2.8 lens. This type of lens offers a versatile focal range and a fast aperture, making it suitable for a wide range of photography genres including landscape, portrait, and street photography.
What are some other good options for all around lenses on full frame mirrorless cameras?
Some other good options for all around lenses on full frame mirrorless cameras include prime lenses with a fixed focal length, such as a 35mm or 50mm lens. These lenses are known for their sharpness and wide maximum aperture, making them great for low light photography and achieving shallow depth of field. Additionally, a wide-angle zoom lens, such as a 16-35mm, can be a good choice for those who prefer shooting landscapes or architecture.
Are there any budget-friendly options for all around lenses for full frame mirrorless cameras?
Yes, there are budget-friendly options available for all around lenses for full frame mirrorless cameras. One such option is the Tamron 28-75mm f/2.8 lens, which offers a versatile focal range and a fast aperture at a more affordable price compared to some other premium lenses. Another option is the Sigma 24-70mm f/2.8 lens, which provides similar performance at a lower cost. These lenses are a great choice for those who want a versatile lens without spending a fortune.
Is it better to invest in a zoom lens or a prime lens for all around use on full frame mirrorless cameras?
Whether to invest in a zoom lens or a prime lens for all around use on full frame mirrorless cameras depends on your personal shooting style and preferences. Zoom lenses offer more versatility with their adjustable focal length, allowing you to quickly switch between different perspectives. On the other hand, prime lenses often offer better image quality and wider maximum apertures, making them great for low light situations and achieving shallow depth of field. Ultimately, it’s a matter of personal preference and the specific needs of your photography.
